Based on my limited experience shooting it, I’m not a fan of Ilford HP5+, but this photo of the low winter sun reflecting off a damp Cambridge pavement really goes against that.
In general I find most of my photos with HP5 are very flat as scanned, so I’ve been trying to add in a bit more contrast. With this one I just had to bring down the blacks a little and it really popped: I love the inky shadow of the lamppost constrasting with the dynamic highlighs of the sun reflected in the damp footprints. According to my notes this was also overexposed - so perhaps I should do that more often?
I also find I don’t like the grain on HP5 (at least on 35mm, where the grain is more pronounced), which I think couples with the lack of contrast to give images a swampy feel. But there’s none of that here, it looks really sharp. Perhaps the secret is to shoot HP5 on noisy scenes rather than flat blocks?
24 November 2020
Canon EOS 300 with a Canon 50mm f/1.8 lens
Illford HP5+ film
License CC BY-NC - Download
Appears in:
• Cambridge
• Film